The Negro by William Edward Burghardt Du Bois

Author:William Edward Burghardt Du Bois [Bois, William Edward Burghardt Du]
Language: eng
Format: epub
Tags: Black Race, Africa -- History
ISBN: 9781465517081
Google: pwkedGoCzu4C
Amazon: 1604593717
Publisher: Library of Alexandria
Published: 1998-01-14T23:00:00+00:00

There can be no doubt of the Negro's deep and delicate sense of beauty in form, color, and sound. Soyaux says of African industry, "Whoever denies to them independent invention and individual taste in their work either shuts his eyes intentionally before perfectly evident facts, or lack of knowledge renders him an incompetent judge." [62] M. Rutot had lately told us how the Negro race brought art and sculpture to pre-historic Europe. The bones of the European Negroids are almost without exception found in company with drawings and sculpture in high and low relief; some of their sculptures, like the Wellendorff "Venus," are unusually well finished for primitive man. So, too, the painting and carving of the Bushmen and their forerunners in South Africa has drawn the admiration of students. The Negro has been prolific in the invention of musical instruments and has given a new and original music to the western world.

Schweinfurth, who has preserved for us much of the industrial art of the Negroes, speaks of their delight in the production of works of art for the embellishment and convenience of life. Frobenius expressed his astonishment at the originality of the African in the Yoruba temple which he visited. "The lofty veranda was divided from the passageway by fantastically carved and colored pillars. On the pillars were sculptured knights, men climbing trees, women, gods, and mythical beings. The dark chamber lying beyond showed a splendid red room with stone hatchets, wooden figures, cowry beads, and jars. The whole picture, the columns carved in colors in front of the colored altar, the old man sitting in the circle of those who reverenced him, the open scaffolding of ninety rafters, made a magnificent impression." [63]

The Germans have found, in Kamarun, towns built, castellated, and fortified in a manner that reminds one of the prehistoric cities of Crete. The buildings and fortifications of Zymbabwe have already been described and something has been said of the art of Benin, with its brass and bronze and ivory. All the work of Benin in bronze and brass was executed by casting, and by methods so complicated that it would be no easy task for a modern European craftsman to imitate them.

Perhaps no race has shown in its earlier development a more magnificent art impulse than the Negro, and the student must not forget how far Negro genius entered into the art in the valley of the Nile from Meroe and Nepata down to the great temples of Egypt.

Frobenius has recently directed the world's attention to art in West Africa. Quartz and granite he found treated with great dexterity. But more magnificent than the stone monument is the proof that at some remote era glass was made and molded in Yorubaland and that the people here were brilliant in the production of terra-cotta images. The great mass of potsherds, lumps of glass, heaps of slag, etc., "proves, at all events, that the glass industry flourished in this locality in ages past. It is plain that

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